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Seeing the world outside, holding hands or with arms wide open, occupying the squares and looking into the eyes of those facing us.
I would like to communicate and think about these thousand forms of stones, which begin as birthing stones, with a group of children. To do so - inspired by Francis Alÿs’ “Children’s Games” series, like a big ricochet - I propose a meeting in the streets whose sole purpose is to play, collectively. The premise is: we’ll always have a stone in our pocket.
We'll meet at Alameda das Fontaínhas and then head to Praça da Alegria, Largo de Soares dos Reis and finish at Sismógrafo. There, in the half-light, towards the end of the afternoon, we will unveil Pedra que pariu in a combination of light and shadow, waiting for the astonishment of those who see things for the first time.
Seeing the world outside so that we can see it better inside.
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Seeing the world outside, holding hands or with arms wide open, occupying the squares and looking into the eyes of those facing us.
I would like to communicate and think about these thousand forms of stones, which begin as birthing stones, with a group of children. To do so - inspired by Francis Alÿs’ “Children’s Games” series, like a big ricochet - I propose a meeting in the streets whose sole purpose is to play, collectively. The premise is: we’ll always have a stone in our pocket.
We'll meet at Alameda das Fontaínhas and then head to Praça da Alegria, Largo de Soares dos Reis and finish at Sismógrafo. There, in the half-light, towards the end of the afternoon, we will unveil Pedra que pariu in a combination of light and shadow, waiting for the astonishment of those who see things for the first time.
Seeing the world outside so that we can see it better inside.
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