Rodrigo Oliveira explores issues such as the sexualization of architecture and the cultural misunderstandings implicit in language and in domestic, public, private, and institutional spaces. Using the short film Un chant d'amour (Jean Genet, 1950) as a starting point, the show addresses themes such as marginality, love, loneliness, and sexuality, constructing an image that blends theater and film. Through this reference, Oliveira offers a reflection on how spaces and structures influence human relationships, challenging social conventions and established perceptions.