The space reserved between the one who does and what is done can be seen as a space for reflection. On the other hand, the space between the one who creates and what is created is often explored as a threshold for metaphysical and aesthetic contemplation. The dichotomy between the natural and the artificial is another important aspect that can be explored
in this space for reflection. Combining natural and artificial elements challenges this difference, questioning the conventional perception of reality. For example, works that combine organic and synthetic materials or explore interactions between humans and technology can provoke reflections on the nature of human existence in an increasingly
technological world. Inquiring into how these ongoing relationships are transforming our understanding of nature and human identity, as well as the ethical dilemmas arising from these transitions, can also manifest in conventional notions of authenticity and originality, naturally raising deeper discussions about the meaning and purpose of existence in a world
increasingly mediated by technology.

The title "U made U" suggests a deep exploration of the intersection between the subject (the "U") and what is created or transformed (the "made"). By using the pronoun "U," there is an allusion to the individuality, agency, and authorship of the creative subject. It invites those who see it to reflect on their own role as agents of change and creation in their own lives and in society at large. The term "made" highlights the aspect of production, construction, or transformation of objects and experiences. This can involve both the process of artistic creation itself and the ways in which we shape and modify the environment through technology, culture, and social interaction.

— Pedro Tudela