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Based on the exhibition “Saga” by Bernardo Simões Correia, Daniel Moreira and Rita Castro Neves propose a workshop between photography and sculpture, inspired by the legacy of André Malraux’s Musée Imaginaire (Museum Without Walls). The duo of artists focuses on The Imaginary Museum of World Sculpture, a three-volume work completed in 1954, with which André Malraux challenges us in his proposal to bring “a presence” of sculpture, and not to make its history. The “Present Images” workshop uses photography to think about its qualities as a tool for analysis, documentation, reproduction, and circulation, as well as its aesthetic, fictional, exploratory, and liberating possibilities. Photography will underlie the small three-dimensional creations to be developed by the participants, between sculpture, the collective memory of images and reflection on self-image. From the representation of our bodies and in dialogue with other representations of other bodies, we will create new bodies: hybrid, ahistorical, introspective, and imaginary.
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Based on the exhibition “Saga” by Bernardo Simões Correia, Daniel Moreira and Rita Castro Neves propose a workshop between photography and sculpture, inspired by the legacy of André Malraux’s Musée Imaginaire (Museum Without Walls). The duo of artists focuses on The Imaginary Museum of World Sculpture, a three-volume work completed in 1954, with which André Malraux challenges us in his proposal to bring “a presence” of sculpture, and not to make its history. The “Present Images” workshop uses photography to think about its qualities as a tool for analysis, documentation, reproduction, and circulation, as well as its aesthetic, fictional, exploratory, and liberating possibilities. Photography will underlie the small three-dimensional creations to be developed by the participants, between sculpture, the collective memory of images and reflection on self-image. From the representation of our bodies and in dialogue with other representations of other bodies, we will create new bodies: hybrid, ahistorical, introspective, and imaginary.
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