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In her first exhibition in Portugal, French artist Pauline Curnier Jardin evokes the image of a traveling circus arriving to town. Drawing inspiration from religious pageantry, folk rituals, and subcultural aesthetics to challenge traditional structures of power and desire, the project channels the anarchic energy of carnival — rituals of reversal, an embrace of excess, and the ability to destabilise social order.
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In her first exhibition in Portugal, French artist Pauline Curnier Jardin evokes the image of a traveling circus arriving to town. Drawing inspiration from religious pageantry, folk rituals, and subcultural aesthetics to challenge traditional structures of power and desire, the project channels the anarchic energy of carnival — rituals of reversal, an embrace of excess, and the ability to destabilise social order.
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