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Born in 1997, Mrs Domicília lives in the same place today: a tiny apartment where original and replica are confused. Her geometrically absurd, neurotically ordered body speaks of a present that is also, and perhaps increasingly, ours: the reverse of the reverse, the imitation of the imitation. Domicília is virtually capable of reproducing any movement, any intention, without ever telling us who she really is. A reflection of modern life.
The revival of Casio Tone (1997) is dedicated to the memory of Mónica Lapa (1965-2001).
— Sílvia Real & Sérgio Pelágio
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Born in 1997, Mrs Domicília lives in the same place today: a tiny apartment where original and replica are confused. Her geometrically absurd, neurotically ordered body speaks of a present that is also, and perhaps increasingly, ours: the reverse of the reverse, the imitation of the imitation. Domicília is virtually capable of reproducing any movement, any intention, without ever telling us who she really is. A reflection of modern life.
The revival of Casio Tone (1997) is dedicated to the memory of Mónica Lapa (1965-2001).
— Sílvia Real & Sérgio Pelágio
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